The sequel to 2021’s VFX Oscar and top VES winner “Dune”, which again features key work by DNEG led by production VFX supervisor Paul Lambert, collected prizes in the categories for CG cinematography, ...

It was a typical day on the set of Tim Burton’s “Beetlejuice Beetlejuice,” and a dead mime was screaming. The most unsettling problem? The actor‘s tongue still had a visible and decidedly not-ghostly ...

'Spider-Man: Across the Spider-Verse' leads the animated feature race with six noms. By Carolyn Giardina Tech Editor Gareth Edward’s futuristic sci-fi movieThe Creator, with visual effects work ...

Parker is nominated in the Outstanding Special Visual Effects in a Single Episode category for the 11th episode of the season, titled “Mom City.” The episode is a prime example of Parker’s work on the ...

When Mark Patch started as a visual effects coordinator on WandaVision, he saw it as a great opportunity. It was November 2020, and he’d been out of work for four months due to the pandemic. Working ...

Visual effects supervisor Stephen Rosenbaum tells IndieWire about recreating some of World War II's most heroic and harrowing moments, and an exclusive video gives a look at his team's epic work. “Our ...

The authors do not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and have disclosed no relevant affiliations beyond their ...

Andrew Jackson reflects on creating the Manhattan Project's Trinity Test, for which he says no CG was involved. By Carolyn Giardina Tech Editor There’s a sizable amount of largely “invisible” visual ...

Though blockbusters are synonymous with computer imagery, dramas and art-house films rely extensively on tech magic, too. Don’t be fooled by the naturalism. By Calum Marsh A woman crosses a bustling ...

Hollywood may soon need to bid farewell to a visual effects giant credited with bringing classic films such as “Gone with the Wind” and “The Wizard of Oz” to full color. Technicolor, the 110-year-old ...