The production sought to reclaim 'Solidarity' for contemporary political projects, liberating it from its mythic profile as ...
The Curse' was a pioneering production – one that anticipated the discourse on violence within theatrical institutions long ...
There is no Polish theatre without a reckoning with Romanticism. Over the past quarter-century, one of the most intriguing ...
How does one speak about a mother who has died? Michał Borczuch and Krzysztof Zarzecki allow themselves to drift, deflect, ...
Make Yourself’ exposed a paradoxical dimension at the heart of dance: a form long associated with resistance and liberation, ...
Simple in form, the production went beyond the usual boundaries of the discussion about the identity of the Jewish Theatre ...
Small Narration is arguably the first significant and compelling example of autofiction in Polish theatre. Ziemilski told a ...
Anna Karasińska engages with questions of identity, persona, fiction, and authenticity–not by staging philosophical treatises ...
E-books and tablets, smartphones, Google and even ‘The Matrix’ were all conceived in the mid-20th century by the author of ‘Solaris’. Here’s how Stanisław Lem predicted the future we live in.
Poland celebrates the bicentenary anniversary of one of Poland's most accomplished and prolific Romantic writers.
A journey into little-known Polish Christmas and New Year rituals rooted in pre-Christian belief, rural magic, and communal performance. From ritual breads and flirtatious carols to masked processions ...
There is no dramatic work in Polish literature that poses a challenge as formidable for the theatre as Forefathers’ Eve. The ...
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