Sony Pictures have postponed the release date of 'Insidious 6' to 2026 and has replaced its original release date with Austin Butler star 'Caught Stealing' in an announcement on Wednesday, reported Deadline.

Corbet’s complex Brutalist rewards the patient Brady Corbet's The Brutalist is an anomaly in the current cinematic landscape. An emotional epic, it traces the

Wolf Man is an upcoming American supernatural horror film directed by Leigh Whannell from a screenplay by the writing teams of Whannell and Corbett Tuck, and Lauren Schuker Blum and Rebecca Angelo. It is a reboot of the 1941 film The Wolf Man.

Sony has given the Aug. 29 release date originally set for “Insidious 6” to Darren Aronofsky’s crime thriller “Caught Stealing” starring Austin Butler and pushed the premiere of the horror sequel back to Aug.

Wolf Man' reminds us that the best monsters are the ones that mirror our deepest fears—and our capacity to survive them.

Goodness Gracious, this is one of the worst werewolf movies I've ever seen. While Leigh Whannell does a great job directing the movie, his story was extremely underwhelming, as the wolf man in the title isn't actually a werewolf, but a man with what I can only describe as advanced rabies.

Wolf Man' director Leigh Whannell has shared 'Wolf Man' was inspired by the "slow-motion nightmare" of him dealing with a loved one battling Amyotrophic Lateral Sclerosis (ALS) during the COVID-19 pandemic.

The Invisible Man’ director Leigh Whannell transforms the ‘Wolf Man’ into a story of a guy trying to avoid turning into his father.

The divisive Wolf Man design in Leigh Whannell's movie could have been a lot more disturbing, per newly revealed concept art.

“Wolf Man” tells the story of Blake Lovell (Christopher Abbott), his wife Charlotte (Julia Garner) and their daughter Ginger (Matilda Firth) as they journey from New York City to the wilderness of Oregon to clean out Blake’s father’s house after he passes away.

Mel Gibson's Flight Risk debuts at number one at the box office, despite a lower haul overall, while Steven Soderbergh's Presence underwhelms.

Leigh Whannell’s Wolf Man manages to strip the genre of its last shreds of dignity, replacing suspense with an onslaught of gore and nonsense.